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Heavenly Hoax | A Foreboding Fugue In Five Parts [2019]

by Jason Slajchert

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1.
Heavenly Hoax A Foreboding Fugue In Five Parts by Jason Slajchert © 2019 1. Overture: Peregrination and Disorientation Oooh... (Cm, G, Cm, G - Cm, G, Cm, G-Gm) Cm G Cm A# Moving through time, caught in the light G/G# F G Figuring I’m going home Cm G Cm A# Memories wiped, all but a slight G/G# F G Feeling that something’s not right G(2) Gm(2) A#(1) Carry me through-ooh winds of change F(1) Cm(2) Dm Is this really what happens when you say goodbye Cm (2) F (1) All my feelings rearranged Cm (2) Dm (2) D7 (2) G Have I really lost access to what I called my life 2. Departure and Reception G C It all happened so fast A# A#/A Dm/F One minute I was in it, and the next one I was G falling G Cm Down, into, a hole A# A#/A Dm A place where every shadow has been chased G away G C A feast, to wel-come me A# A#/A F G Another fresh injection into the neighborhood G Cm But first, let’s sanitize A# A#/A Dm G Reorient the body, manipulate the mind D# G# Fm A# Golden streets, if that’s what you require Gm Cm D# G# A#sus High vibrations, to keep you feeling safe D# G# Fm A# Digging deep, it’s so-oh difficult to stray-ee-ten Gm F7 out my thoughts G# G7 Cm Am I dreaming, or am I now awake G# Fm Now here’s how they get you G#m E7 Now here’s how they get you 3. Machination and Exploitation (Staccato organ on beat 2) G#m D#7 G#m You’re empty, no concept of time G#m D#7 G#m An infant who’s finally unblind G#m D#7 G#m You’re impotent, you’re chasing a rabbit G#m D#7 G#m To go, to go into that magNET G#m D#7 G#m Don’t go—don’t go into that magNET! G#m D#7 G#m The light is the darkest of illusions G#m D#7 G#m Most everyone goes in without a riot G#m G# A/A# A#7 Your grandmother, Maud—the apostle Paul D#7 F# G#m It all matters not, just as long as you buy it D#7 G7 “Welcome home, my son!” B(diss) G(diss) Gm, C#7 “You may now rest, dear one” B(diss) G(diss) Gm “Welcome home, my son” G#m D#7 G#m D#7 Exactly what you have been expecting G#m F#/G F#7 E/F Exactly what you’ve been expecting G#m D#7 G#m D#7 Rewarded according to ancient traditions G#m D#7 G#m D#7 The path seems a bit like a movie G#m G#/A A#7 A bad one, where nothing and everything’s A#/B moving D#7 G# (C#7?) The characters flat and amusing G#6 G/G# Gm C#7 This is how they get you in... G#7+6 G/G# Gm E7 This is how they trap your soul (REPEAT) G#m G#/A G#m, F#/G “Welcome home, my son!” (REPEAT) Final: G#6, D#7, G#m (Overture repeat and develop) C#m, G# C#m, G#-G#6 C#m, G#m E, B “Oooh...” 3.5. Synchronicity and Illumination G# Just then it hit me like whirlwind F# G#m B She’s not my mother, and you’re not my friend F#/G Bm-A#/B I won’t be going into paradise F#7 D#7 G# If you agree, then we’ll play nice G# My “mother’s” eyes blinked sideways F# G#m B Turning into marbles, like the morning sun F#/G Bm-A#/B There was no need for this charade F#/G Bm I won’t be watching this parade F#7 C#m B I won’t be watching this parade G#m C#m Hey man, this is where I get off B7 B/C D#7 Em G#m Trust me, I get it, trapping Consciousness and all C#m So that your batteries might stay charged G#m So that your factories might stay farmed G# F#/G This is how they get you in (small) D#7 G#m This is how they get you in (big) F#/G E This is how they get you in (bigger) F# G#m It’s just that I have been anticipating B D#m G#m Such an elaborate display, and so G#7 C#m This is exactly what it is F#/G G#m So, step the fuck away from my soul! F# G#m That lizard’s eyes blinked happily B D#m G#m As he tried to play it off so carefully G#7 C#m He said, “Oh, I think you’re right F#/G G#m It seems your paperwork wasn’t done right” E I was taken by force to a courtroom F# Allowed the show to continue on F#/G I pretended to comply G#m To surrender, and to cry C#m When it was finally time for me B7 B/C D#7 Em G#m To speak, I stood and silently C#m Gm D#7 Reminded them Who I Am C#m E And that their trial was a goddamned sham E I didn’t have to even act the part F#7 (open) I just blasted them with fire from my holy Heart C#m I’d never held any beliefs B D#7 Em Except that all beings should live free F#7 E This is how they get you in F#7 B D#m E This is probably how they trapped your kin E This is how they get you in F#7 B D#7 E This is probably how they trapped your kin 4. Liberation and Recreation E B C#m F# Free to be, whatever I wish to be E B C#m F# Free to go, wherever I wish to go E B C#m F# Free to be, whatever I wish to be E B C#m F# Free to go, wherever I wish to go E B C#m-E Maybe I’ll go back in, but now I’m... (repeat “Free to be...”) E Maybe I’ll go back in Imagine what I might do differently Or travel far away Or, maybe I’ll create my own world 5. Peroration and Contemplation (Evolving Prelude) G#m D#7 G#m Guides lining up to assist me G#m D#7 G#m “No thank you, I’m good, don’t insist please” G#m. G#7 C#m f#7 “You’re coming with me, don’t resist me... D#7 I’m fucking with you, please continue on!” [3/4] E B To... be... Love, is there anything higher E C#m G#m-F# Aren’t we all in the guts of the devil E B Begging our selves to know better F#/G G#m Making pure gold from base metals E B Mining the floor underneath me E G#m-F#m Biting my teeth just to See Me E B Experiencing experience E B Just for the sake of experience E G#m The good and the bad, just experience E G#m The taster just tasting experience E B Delicious, invaluable experience E/F (Fdiss) So easy to see C#m D#7 That Home, all along G# Was in... Me

about

Heavenly Hoax is a creepy concept piece about the afterlife, written in fugue, recorded in Spire Studio, mixed in Logic Pro X, and mastered by Aleister Crowley's ghost. Best consumed in a single sitting (10mins). Enjoy!

credits

released February 17, 2019

All songs written, played, recorded, mixed, by Jason Slajchert in his home studio in Omaha, Nebraska.

Image by Jean Baudoin, 1638 (Recueil d'emblemes diuers - auec des discours moraux, philosophiques, et politiques, tirez de diuers autheurs, anciens and modernes), edited.

Guitars......................Gibson J-45, D'Angelico Premier Bowery, Gibson ES-335, Gibson Blueshawk; Luna Ukelele (6-string); Fender Jazz bass; BOSS ME-70

Drums......................PPD 805 5-piece kit, Evans hydraulic heads, DW5000 kick

Cymbals......................Meinl Byzance: 15" extra dry medium thin hihats, 19"extra dry thin crash, 22" extra dry thin ride, 12" extra dry splash, 20" extra dry china; Zildjian Custom K: 18" Fast-Crash

Keys......................KORG M50

Vx......................Shure Sm58, 55SH Series II; Logic Pro, Izotope effects, EQ, etc.

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Jason Slajchert Nebraska

Content-heavy, mathematically-inclined, emotive rock-and-roll for folks who think and feel deeply.

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